SoCS

SoCS – Black and White Photography

Linda is back with a new challenge for us this week. Pop over to Linda’s place to join in: Life in Progress – check out the rules and the contribution of other bloggers.

This week, the prompt is:

Your Friday prompt for Stream of Consciousness Saturday is “black, gray, and white.” Use one, use ’em all. Bonus points if you use all three. Have fun!


My interest in black and white photography started becauseI had an interest in hand coloring photographs. If you have old family portraits around, you may well have some portraits that were hand painted by a studio artist.

To hand paint a photograph, you must start with a black and white photographs. Sounds easy enough except the oil must be applied to fiber paper rather than the traditional resin coated paper. That was a problem.

I was living in southern Maine at the time so I leafed through the yellow pages(remember those?) and found a black and white photographer who specialized in fine art black and white photography. (I later found out he liked photographing nudes thus his claim of ‘fine art’).

I went to the studio and met Everett. He was a nice man who was willing to teach me how to print my own photos and the basics of hand coloring.

I took my little Pentax K1000 and my gray card and started taking photos. I went back to the studio where I learned how to remove the film from the camera and load it into a developing tank all in complete darkness. After processing the film, it required drying time because developing is a wet process.

After developing the film, I learned how to use the enlargers to print my photos. In those days, all the paper was graded which meant you could not use filters in the enlarger to compensate for contrast adjustments. I fell in love with the darkroom.

Everett was kind enough to rent his darkroom to me for $5 an hour. From that day forward, every Wednesday after work I spent at least three hours in the darkroom processing own film and printing my own photos.

This was the kind of creativity in which I could totally lose track of time and all the world’s distractions.

I no longer have access to a darkroom and digital photography has almost replaced film photography. But for the diehard lovers of silver gelatin prints, it is all still out there.

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My Documentary Photography

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Image courtesy of Pixabay (altered)

There was a time in my life I did black and white documentary photography. I learned to develop and print my own photographs. My weekends spent in the darkroom were hours of deep concentration and great satisfaction.

My husband and I took a documentary photography class together. We had each purchased a Hasselblad medium format camera. Working in medium and large format tends to slow you down. Learning to spend more time composing in the frame and properly exposing and focusing seem to create more intentional photos.

As part of this class, we often went on field trips to shoot. One Saturday morning we met at the school early and caravanned to a local flea market. Being in Florida we wanted to get there early before the Florida sun became too hot and too intense. The morning or afternoon sun was always the goal. On this particular morning, we parked the car and assembled our equipment not realizing we would be negatively received by some.

Many people were selling out of the trunks of their cars. Many avoided us and our cameras. We came in with expensive cameras and there was immediate suspicion we were with the government. We soon realized there were most likely a number of undocumented people there selling and they did not want to have their photos taken. As students, we all respected their wishes and just moved on.

Suddenly, an older woman with white hair approached me with a huge smile and inquired about what we were doing. She wanted me to take her photo. It was then she shared her story.

“Look at me. Almost 70 years old and hanging out at the flea market. Would you believe there was a time that so much money passed through these fingertips? And here I am now, selling dolls out of the trunk of my car.” She laughed.

“I used to be a dancer in New York. Can you believe that?” She did not wait for me to respond.

“Wait I have a picture. Let me get it.” She walked around to the driver’s side of the car and opened the front door. In a few minutes she returned with a photo in her hand.

”Can you believe that was me?” She was still grinning ear to ear.

I asked her if I could take a photo of her holding her dance photo. She replied with an enthusiastic yes.

I remember thinking about how life changes. I wondered what happened in her life and was so taken by her charm and attitude about her past and current life. This photo has always been one of my favorites. I never saw her again, nor did I ever know her name. But here she is, captured at a single moment of time in a photo that captured her past and her present.

What a gift she was to me.

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